Me & Music in 2020
So we’ve reached that time of year where everyone tells you how shit 2020 has been. Of course, I will be doing the same, but I’ll try to offer a more positive slant – and what can be more positive than music?
If ever music has been necessary it has been in 2020, but it is necessary every year and has been all through my life, especially the more difficult parts where it is a source of solace, a world of musical refuge – and sometimes also offers me opportunities to wallow in misery, when I see fit. Or jump up and dance.
I do feel like it has been more difficult to discover great new music this year. It feels like there has been less really good music released – maybe producers are holding back on some gems for when life returns, and more importantly in a dance music context, nightclubs re-open.
My tastes haven’t really changed much from 2019 – only subtle changes at most. And, of course, much of the music I discovered in 2020 would have been released in previous years anyway.
I still love minimal. I think less of the trippy, hypnotic minimal and either more bassline-led like this two tracks, or more clicky.
Rhadoo is an obvious one, but Lee Burton really is making some fabulous tracks also.
Ricardo is omni-present throughout my year – rarely does a month go without discovering a new (or old) track or remix from him. Though I’m upset with him that he hasn’t made a 12 hour long track in 2020. Surely he had the time?
Or you could try his 18 minute remix of Aaliyah:
Offbeat techno – pretty much anything on Hessle Audio has been the biggest source of original-sounding music for me the last couple of years, but this year I’ve noticed it start to merge with minimal sounds too. DJ Python and Call Super stood out to me.
Or you can go full-on offbeat weirdness with the likes of Pangaea or Ossia:
What about house music?
Well, I don’t listen to that much house music nowadays, not in the strictest sense. I don’t think there is much good quality, fresh-sounding house music around.
I guess also house music is for happier times, it is for dancing to with human beings not fucking 2 metres apart with a mask on. So maybe subconsciously I avoid it, but maybe also it just isn’t a 2020 sound for very good reason.
That said, anything by Sharif Laffrey is just the bomb. Every single track/remix of his.
And then occasionally I find something so good from years gone past that I just want to be off my head in a club full of hot Spanish women.
And I still like a bit of fun. Or Fun Fun in this case.
Well I hope I didn’t bore you too much. I know my music taste isn’t for everyone, but maybe it did open your ears to something.
I still like to pretend that I’m a DJ, or at least a music discovery agent – and have my music blog still just about going, House Minimal Techno Disco, though I have a lot of posts to add. You’d have thought I would have had the time this year wouldn’t you?
Not only have I purchased more vinyl then ever this year, around 30 records at a guess, I’ve even purchased a DJ stand – alas, it is waiting for me to have the energy and motivation to put it together. I should have it ready by time the pandemic ends and I have a social life (well…ish) once more.
Anything else to mention? Favourite DJs are pretty much the same – Barac, Ricardo Villalobos, Dana Ruh, Julietta, Vera, Priku, Jay Bliss, Raresh, Cristi Cons, Rhadoo, Magda – basically women, Romanians and Ricardo. Oh and David Vunk’s Boiler Room…fuck…how many drugs before DJing on a live stream? Impressive.
Yeah that’ll do. Oh go on, just one last track for the romantics out there.